Woman rock your body song
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As the southern camp meeting circuit died down in the mid 1800s, the "Say, brothers" tune was incorporated into hymn and tune books and it was via this route that the tune became well known in the mid 1800s throughout the northern U.S. The tune and variants of the "Say, brothers" hymn text were popular in southern camp meetings, with both African-American and white worshipers, throughout the early 1800s, spread predominantly through Methodist and Baptist camp meeting circuits. In print, the camp meeting song can be traced back as early as 1806–1808, when it was published in camp meeting song collections in South Carolina, Virginia, and Massachusetts. The familiar "Glory, glory, hallelujah" chorus-a notable feature of the "John Brown Song", the "Battle Hymn of the Republic", and many other texts that used this tune-developed out of the oral camp meeting tradition sometime between 1808 and the 1850s.įolk hymns like "Say, Brothers" circulated and evolved chiefly through oral tradition rather than through print. Įarly versions of "Say, Brothers" included variants, developed as part of this call-and-response hymn singing tradition such as:
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The line would be sung repeatedly, changing slightly each time, and shaped gradually into a stanza that could be learned easily by others and memorized quickly. The melody was either borrowed from a preexisting tune or made up on the spot. Specialists in nineteenth-century American religious history describe camp meeting music as the creative product of participants who, when seized by the spirit of a particular sermon or prayer, would take lines from a preacher's text as a point of departure for a short, simple melody. In that atmosphere, where hymns were taught and learned by rote and a spontaneous and improvisational element was prized, both tunes and words changed and adapted in true folk music fashion: These meetings were important social events, but developed a reputation for wildness in addition to wild religious fervor experienced by attendees. These meetings were usually held in frontier areas, when people who lacked regular access to church services would gather together to worship before traveling preachers. "Say, Brothers, Will You Meet Us", the tune that eventually became associated with "John Brown's Body" and the " Battle Hymn of the Republic", was formed in the American camp meeting circuit of the late 1700s and early 1800s.
#WOMAN ROCK YOUR BODY SONG SERIES#
See George Kimball, "Origin of the John Brown Song", New England Magazine, new series 1 (1890):371–76 Numerous informal versions and adaptations of the lyrics and music have been created from the mid-1800s to the present, making "John Brown's Body" an example of a living folk music tradition.Īccording to George Kimball, the second publication of the John Brown Song and the first including both music and text, with music arranged by C.S. The most famous of these is Julia Ward Howe's " Battle Hymn of the Republic", which was written when a friend suggested, "Why do you not write some good words for that stirring tune?" Kimball suggests that President Lincoln made this suggestion to Howe, though other sources do not agree on this point. This in turn led to the creation of many variant versions of the text that aspired to a higher literary quality. The "flavor of coarseness, possibly of irreverence" : 374 led many of the era to feel uncomfortable with the earliest "John Brown" lyrics. Various other authors have published additional verses or claimed credit for originating the John Brown lyrics and tune. According to an 1889 account, the original John Brown lyrics were a collective effort by a group of Union soldiers who were referring both to the famous John Brown and also, humorously, to a Sergeant John Brown of their own battalion. The tune arose out of the folk hymn tradition of the American camp meeting movement of the late 18th and early 19th century. The song was popular in the Union during the American Civil War. " John Brown's Body" (originally known as " John Brown's Song") is a United States marching song about the abolitionist John Brown. Original publication of the text of the "John Brown Song" in 1861 : 373